History Online
MYTHOLOGY
This book shall change your entire perception of history! What if Ancient Rome, Greece and Egypt were invented during Renaissance? What if Old Testament was a rendition of events of Middle Ages and was written well after the Gospels? What if Jesus Christ was born in 1053 and crucified in 1086 AD?
This book crowns over 30 of meticulous and extensive research.
Chapter 1 The problems of historical chronology
IN very ancient times there lived in Thessaly a king and queen name Athamas and Nephele. They had two children, a boy and a girl. After a time Athamas grew indifferent to his wife, put her away, and took another. Nephele suspected danger to her children from the influence of the step-mother, and took measures to send them out of her reach. Mercury assisted her, and gave her a ram with a golden fleece, on which she set the two children, trusting that the ram would convey them to a place of safety. The ram vaulted into the air with the children on his back, taking his course to the East, till when crossing the strait that divides Europe and Asia, the girl, whose name was Helle, fell from his back into the sea, which from her was called the Hellespont,- now the Dardanelles. The ram continued his career till he reached the kingdom of Colchis, on the eastern shore of the Black Sea, where he safely landed the boy Phryxus, who was hospitably received by AEetes, king of the country. Phryxus sacrificed the ram to Jupiter, and gave the Golden Fleece to AEetes, who placed it in a consecrated rove, under the care of a sleepless dragon.
Amid the rejoicings for the recovery of the Golden Fleece, Jason felt that one thing was wanting, the presence of AEson, his father, who was prevented by his age and infirmities from taking part in them. Jason said to Medea, "My spouse, would that your arts, whose power I have seen so mighty for my aid, could do me one further service, take some years from my life and add them to my father's." Medea replied, "Not at such a cost shall it be done, but if my art avails me, his life shall be lengthened without abridging yours." The next full moon she issued forth alone, while all creatures slept; not a breath stirred the foliage, and all was still, To the stars she addressed her incantations, and to the moon; to Hecate,* the goddess of the under-world, and to Tellus the goddess of the earth, by whose power plants potent for enchantment are produced. She invoked the gods of the woods and caverns, of mountains and valleys, of lakes and rivers, of winds and vapours. While she spoke the stars shone brighter, and presently a chariot descended through the air, drawn by flying serpents. She ascended it, and borne aloft made her way to distant regions, where potent plants grew which she knew how to select for her purpose. Nine nights she employed in her search, and during that time came not within the doors of her palace nor under any roof, and shunned all intercourse with mortals.
Sounds unbelievable? Not after you've read "History: Fiction or Science?" by Anatoly Fomenko, leading mathematician of our time. He follows in steps of Sir Isaac Newton and finds clear evidence of falsification of History. Armed with logic, astronomy and computers he proves the history of humankind to be both dramatically different and drastically shorter than generally presumed.
Archaeological, dendrochronological, paleographical and carbon methods of dating of ancient sources and artifacts are both non-exact and contradictory, therefore there is not a single piece of firm written evidence or artifact that could be reliably and independently dated earlier than the XI century.
The consensual chronology we live with was essentially crafted in the XVI century from the contradictory mix of innumerable copies of ancient Latin and Greek manuscripts (all originals have mysteriously disappeared) and the "proofs" delivered by the late mediaeval astronomers, cemented by the authority of writings of the Church Fathers.
In fact, for the last 300 years, the whole class of historians created, researched, perfected and polished a world of phantom universal history and classical civilization artfully constructed by their predecessors in the course of XVI-XVIII centuries at the command of powers of that time. They have polished the real world history into oblivion!
"History:Fiction or Science?", supplies You with sufficient proof to reach step by step for yourself the inevitable conclusion that the classical chronology is false and therefore, that the history of ancient and medieval world, is also FALSE. After reading this book you will certainly have a fresh and very suspicious outlook on "ancient" and "enigmatic" Roman, Greek and Egyptian, mediaeval as well as all other "lost and found" civilizations.
Henry Ford once said: "History is more or less bunk!"
Prominent mathematician Anatoly Fomenko proves it.
Contents
1. Roman chronology as the foundation of European chronology
2. Scaliger, Petavius, and other clerical chronologers.
The creation of contemporary chronology of the ancient times in the XVI-XVII century a.d.
3. The veracity of the Scaliger-Petavius chronology was questioned as early as the XVI century
3.1. Who criticized Scaliger's chronology and where.
3.1.1. De Arcilla, Robert Baldauf, Jean Hardouin, Edwin Johnson, Wilhelm Kammeyer
3.1.2. Sir Isaac Newton
3.1.3. Nikolai Alexandrovich Morozov
3.1.4. Recent publications of German scientists containing criticisms of Scaliger's chronologY.
3.2. The questionnable veracity of the Roman chronology and history.
The hypercritical school of the XIX century
4. The problems in establishing a correct chronology of "ancient" Egypt
5. The problem in dating the "ancient" sources.Tacitus and Poggio
Cicero and Barzizza. Vitruvius and Alberti
6. Timekeeping in the Middle Ages. Historians discuss the "chaos reigning
in the mediaeval datings."
Peculiar mediaeval anachronisms
7. The chronology and the dating of Biblical texts
8. Difficulties and contradictions arising from the reading of old texts
8.1. How does one read a text written in consonants exclusively? The vocalization problem
9. Problems in the Scaligerian geography of Biblical events
9.1. Archaeology and the Old Testament
9.2. Archaeology and the New Testament
10. Ancient historical events: geographic localization issues
10.1. The locations of Troy and Babylon.
13.3. The alleged acceleration of the destruction of the "ancient" monuments
10.2. The geography of Herodotus is at odds with the Scaligerian version
10.3. The inverted maps of the Middle Ages
11. A modern analysis of Biblical geography
12. The mysterious Renaissance epoch as a product of the Scaligerian chronology
13. The foundations of archaeological methods have been based
on the Scaligerian
chronology from the very beginning
13.4. When did the construction of the Cologne Cathedral really begin?
13.5. Archaeological methods are most often based on Scaliger's datings
13.6. One of the numerous problems of the Scaligerian history
the problem
of bronze manufacture before the discovery of tin.
14. The problems and deficiencies of dendrochronology and several other dating methods
14.1. The consequent scale of dendrochronological datings does not extend
further back in time than the X century a.d.
14.2. Sedimentary layer datings. The methods of radium-uranium and radium-actinium analysis
15. Are radiocarbon datings to be trusted?
15.1. The radiocarbon datings of ancient, mediaeval, and modern specimens are scattered chaotically
15.1.1. Libby's initial idea. The first failures
15.1.2. A criticism of the application of the radiocarbon method to historical specimens
15.2. The dating of the Shroud of Turin
15.3 Modern radiocarbon analysis of Egyptian artefacts demonstrates serious contradictions
16. Critical analysis of the hypotheses on which the radiocarbon method is based. By A. S. Mishchenko
16.1. W. F. Libby's initial idea
16.2. Physical basics of the radiocarbon method
16.3. The hypotheses that the radiocarbon method is based upon
16.4. The moment of the object's departure from the exchange reservoir
16.5. Radiocarbon content variations in the exchange reservoir
16.6. Variations in radiocarbon content of living bodies
18. Numismatic datings
Chapter 2 Astronomical datings
1. The strange leap of parameter D" in the Theory of Lunar Motion
2. Are the "ancient" and mediaeval eclipses dated correctly?
2.1. Some astronomical data
2.2. The discovery of an interesting effect: an unprejudiced astronomical dating
shifts the dates of the "ancient" eclipses to the Middle Ages
2.3. Three eclipses described by the "ancient" Thucydides
2.4. The eclipses described by the "ancient" Titus Livy
3. Transferring the dates of the "ancient" eclipses forward in time into
the Middle Ages
eliminates the enigmatic behaviour of the parameter D".
4. Astronomy moves the "ancient" horoscopes into the Middle Ages
4.1. The mediaeval astronomy
4.2. The method of unprejudiced astronomical dating
4.3. Many "ancient astronomical observations" may have been theoretically
calculated
by late mediaeval astronomers and then included into the "ancient"
chronicles as "real observations"
4.4. Which astronomical "observations of the ancients" could have been
a result
of late mediaeval theoretic calculations?
5. A brief account of several examples of Egyptian Zodiacs
5.1. Some general observations
5.2. The Dendera Zodiacs
5.3. The horoscopes of Brugsch and Flinders Petrie
5.4. Finite datings of the Egyptian Zodiacs based on their complete deciphering,
as obtained by A. T. Fomenko and G. V. Nosovskiy in 2001
5.5. On the errors of E. S. Goloubtsova and Y. A. Zavenyagin 6. Astronomy in the New Testament
Chapter 3 The new dating of the astronomical horoscope as described in the Apocalypse
By A. T. Fomenko and G. V. Nosovskiy
1. The proposed research method
2. General information about the Apocalypse and the time of its creation
3. Ursa Major and the throne
4. The events took place on the Isle of Patmos
5. The constellations of Cassiopeia and the throne were drawn as Christ
sitting on his throne in the Middle Ages
6. The Milky Way
7. Twenty-four sidereal hours and the constellation of the Northern Crown
8. Leo, Taurus, Sagittarius, Pegasus
9. The daily rotation of the Northern Crown
10. Equine planetary images in mediaeval astronomy
11. Jupiter is in Sagittarius
12. Mars is beneath Perseus in either Gemini or Taurus
13. Mercury is in Libra
14. Saturn is in Scorpio
15. The Sun is in Virgo with the Moon underneath the feet of the latter
16. Venus is in Leo
17. The astronomical dating of the Apocalypse by the horoscope it contains
18. Our reconstruction of the initial content of the Apocalypse
Chapter 4 Astronomy in the Old Testament
1. Mediaeval astronomy in the Old Testament Book of Ezekiel
1.1. The title of the book
1.2. The description of the Milky Way and the Ophiuchus constellation
1.3. The Biblical description of the astronomical sectors, or "wings," on the celestial sphere
1.4. The constellations of Leo, Taurus and Aquila
1.5. The Biblical description of the mediaeval "wheels," or planetary orbits
1.6. Parallels with the astronomical symbolism of the Apocalypse
1.7. Biblical cherubim, chariots, and mediaeval planetary orbital wheels
1.8. The Biblical description of mediaeval cosmology as a celestial temple
2. The Biblical prophecy of Zechariah and the date of its creation
3. The Biblical prophecy of Jeremiah and the date of its creation
4. The Biblical prophecy of Isaiah and the date of its creation
5. The Biblical prophecy of Daniel and the date of its creation
Chapter 5 The methods of dating the ancient events offered by mathematical statistics
1. The local maxima method
1.1. The historical text volume function
1.2. The maxima correlation principle
1.3. Statistical model
1.4. Experimental test of the maxima correlation principle.
Examples of dependent and independent historical texts
1.5. Method of dating the historical events
2. Volume functions of historical texts and the amplitude correlation principle.
By A. T. Fomenko and S. T. Rachev
2.1. Dependent and independent chronicles. Volume function maxima correlletions
2.2. Rich and poor chronicles and chronicle zones
2.3. Significant and insignificant zeroes of volume functions
2.4. The information respect principles
2.5. The amplitude correlation principle of volume graphs in the poor zones of chronicles
2.6. Description of statistical model and formalization
2.7. The hypothesis about the increase of the "form" parameter of a chronicle in the course of times
2.8. The list and characteristics of the Russian chronicles we investigated
2.9. The final table of the numeric experiment
2.10. Interesting consequences of the numeric experiment.
The confirmation of the statistical model
2.11. Comparison of a priori dependent Russian chronicles
2.12. Comparison of a priori independent Russian chronicles
2.13. Growth of form parameter in the course of time
for the Russian chronicles after the XIII century
2.14. Growth of the average form parameter over the course of time
for groups
of Russian chronicles of the XIII-XVI century
2.15. Growth of the average parameter of form over the course of time
for the groups
of Russian chronicles of the alleged IX-XIII century
2.16. Chronological shift by 300 or 400 years in Russian history
2.17. Conclusions
3. The maxima correlation principle on the material of the sources pertinent
to
the epoch of Strife in the History of Russia (1584-1619)
By A. T. Fomenko, N. S. Kellin and L. E. Morozova
4. The method for the recognition and dating of the dynasties of rulers.
The small dynastic distortions principle
4.1. The formulation of the small dynastic distortions principle
4.2. The statistical model
4.3. Refinement of the model and the computation experimens
4.4. Result of the experiment: coefficient c(a, b) positively distinguishes
between the dependent and independent dynasties of kings
4.5. The method of dating the royal dynasties and the method
detecting the phantom dynastic duplicates
5. The frequency damping principle.The method of ordering of historical texts in time
6. Application of the method to some concrete historical texts
7. Method of dating of the events
8. The frequencies duplication principle. The duplicate detection method
9. Statistical analysis of the Bible
9.1. Partition of the Bible into 218 "generation chapters"
9.2. Detection of the previously known duplicates in the Bible
with the aid of the frequency dumping principle
9.3. New, previously unknown duplicates we discovered in the Bible.
General scheme of their distribution within the Bible
9.4. A representative example: the new statistical dating of the Apocalypse,
which moves from the New Testament into the Old Testament
10. The method of form-codes. The comparison of two long currents of regal biographies
11. Correct chronological ordering method and dating of ancient geographical maps
Chapter 6 The construction of a global chronological map and the results of applying
mathematical procedures of dating to the Scaligerian version of the ancient history
1. Textbook of ancient and mediaeval history in the consensual Scaliger-Petavius datings
2. Mysterious duplicate chronicles inside the "Scaliger-Petavius textbook"
3. Mysterious duplicate regal dynasties inside the "textbook by Scaliger-Petavius"
4. Brief tables of some astonishing dynastic parallelisms
5. Conformity of results obtained by different methods
5.1. General assertion
5.2. The agreement of the different methods on the example of the identification
of the Biblical Judaic reign with the Holy Roman Empire of allegedly X-XIII century a.d.
6. The general layout of duplicates in "the textbook by Scaliger-Petavius".
The discovery of the three basic chronological shifts
7. The Scaligerian textbook of the ancient history glued together
four duplicates of the short original chronicle
8. The list of phantom "ancient" events which are phantom duplicates,
or reflections of the mediaeval originals
9. Identification of the "ancient" Biblical history with the mediaeval European history
10. Our hypothesis: history as described in surviving chronicles only begins in ca. the X century a.d.
We know nothing of the events that took place before the X century a.d.
11. Authentic history only begins in XVII century a.d.
The history of the XI-XVI century is largely distorted.
Many dates of the XI-XVI century require correction
12. The radical distinction of our chronological concept from the version of N. A. Morozov
13. The hypothesis about the cause of the fallacious chronological
shifts
in the creation of the history of antiquity
13.1. Chronological shift of a thousand years as the consequence of the fallacious dating of Jesus Christ's life
13.2. The letter "X" formerly denoted the name of Christ,
but was later proclaimed to stand for the figure of ten.
The letter "I" formerly denoted the name of Jesus, but
was later proclaimed to be the indication of one thousand
13.3. Until the XVIII century, the Latin letters "I" or "J" - i.e. the
first letters of the name of Jesus -
were still used in several
European regions to denote "one" in recording of dates
13.4. How the chronological shift by 330 or 360 years could have occured
13.5. What latin letters "M", "D", "C" in Roman dates meant originally, in the Middle Ages
13.5.1. General idea
13.5.2. Example: the date on the tomb of Empress Gisela
13.5.3. Another example: the date on the headstone of Emperor Rudolf Habsburg
13.5.4. Recording of mediaeval dates was not unified everywhere even in the XVIII century
13.5.5. Some datings of printed books and manuscripts dating
from the XV-XVII century
will apparently have to be moved
forwards in time by at least fifty more years
13.6. The foundation date of Rome of Italy
13.7. A later confusion of foundation dates of the two Romes,
on the Bosporus and in Italy.
13.8. Scaliger and the Council of Trent. Creation of the Scaligerian
chronology
of antiquity in the XVI-XVII century
13.9. Two phantom "ancient" reflections of Dionysius Petavius,
a mediaeval chronologist of the XVII century
14. A stratified structure of the Scaligerian textbook of ancient history
15. The coordination of a new astronomical dating with a dynastic parallel
16. A strange lapse in the Scaligerian chronology near "the beginning of the new era"
Chapter 7 "Dark Ages" in mediaeval history
1. The mysterious Renaissance of the "Classical Age" in mediaeval Rome
1.1. The lugubrious "Dark Ages" in Europe that presumably succeeded
the beauteous "Classical Age"
1.2. Parallels between "antiquity" and the Middle Ages that are known
to historians, but misinterpreted by them
1.3. Mediaeval Roman legislators convene in the presumably destroyed "ancient" Capitol
1.4. The real date when the famous "ancient" statue of Marcus Aurelius
was manufactured
1.5. Could the "ancient" Emperor Vitellius have posed for the mediaeval
artist Tintoretto?
1.6. The amount of time required for the manufacture of one sheet of parchment
1.7. The "ancient" Roman Emperor Augustus had been Christian, since
he wore a mediaeval crown with a Christian cross
2. The "ancient" historian Tacitus and the well-known Renaissance writer Poggio Bracciolini
3. The mediaeval Western European Christian cult and the "ancient" pagan
Bacchic celebrations
4. Petrarch (= Plutarch?) and the "Renaissance of antiquity"
4.1. How Petrarch created the legend of the glory of Italian Rome out of nothing
4.2. Petrarch's private correspondence with people considered
"ancient characters" nowadays
5. "Ancient" Greece and mediaeval Greece of the XIII-XVI century
5.1. The history of the mediaeval Athens is supposed to be obscured by darkness
up until the XVI century
5.2. Greece and the Crusades
5.3. The history of Greek and Athenian archaeology is relatively short
5.4. The tendentious distortion of the image of mediaeval Athens in
the "restoration works"
of the XIX-XX century
6. Strange parallels in the Scaligerian history of religions
6.1. Mediaeval Christianity and its reflection in the Scaligerian "pagan antiquity"
6.2. Mediaeval Christianity and "ancient" Mithraism
6.3. References to Jesus Christ contained in "ancient" Egyptian artefacts
6.4. Researchers of the ancient religions commenting on the strange similarities
between the cults of "antiquity" and those of the Middle Ages
6.5. Moses, Aaron and their sister Virgin Mary on the pages of the Koran
6.6. The XI century as the apparent epoch of St. Mark's lifetime.
The history of St. Mark's Cathedral in Venice
7. The "ancient" Egypt and the Middle Ages
7.1. The odd graph of demotic text datings
7.2. The enigmatic "revival periods" in the history of "ancient" Egypt
7.3. The ancient Hittites and the mediaeval Goths
8. Problems inherent in the Scaligerian chronology of India
9. Was the artificial elongation of ancient history deliberate?
Annexes
2.1. (to chapter 2) Grammatical analysis of an eclipse description
in History by Thucydides. By Y. V. 471
5.1. (to chapter 5) Per annum volume distribution in some Russian chronicles
5.2. (to chapter 5) Frequency matrix of names and parallels in the Bible
By V. P. Fomenko and T. G. Fomenko
6.1. (to chapter 6) Per annum volume distribution in The History of the City
of Rome
in the Middle Ages by F. Gregorovius
6.2. (to chapter 6) Per annum volume distribution in The Roman History
from
the Foundation of the City by Titus Livy
6.3. (to chapter 6) Per annum volume distribution in the book by Baronius
describing mediaeval Rome
6.4. (to chapter 6) The "double entry" of the Biblical royal reigns of Israel and Judah
6.5. (to chapter 6) Armenian history. Emperors of the Holy Roman Empire
of the alleged X-XIII century a.d., a.k.a. the Kings of Judah, a.k.a. the
mediaeval Armenian Catholicoses
1. Three phantom reflections of the same mediaeval dynasty
2. The parallelism between the mediaeval Armenian history
and the phantom Roman Empire according to Scaliges
6.6. (to chapter 6) The identification of the "ancient" Kingdom of Judah
with the Holy Roman Empire of the alleged X-XIII century a.d.
The correlation between reign durations and biographical volumes
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Religions
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Roman gods
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Prometheus
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Apollo
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Juno
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Diana
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Phaeton
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Glaucus
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Pygmalion
•
Venus
•
Cupid
•
Echo
•
Narcissus
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Minerva
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Golden Fleece I
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Atlas
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Sphinx
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Pegasus
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Medusa
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Golden Fleece II
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Centaurs
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Hercules
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Bacchus
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Troyan war
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The Iliad
THE GOLDEN FLEECE
Part I
There was another kingdom in Thessaly near to that of Athamas, and ruled over by a relative of his. The king AEson, being tired of the cares of government, surrendered his crown to his brother Pelias on condition that he should hold it only during the minority of Jason, the son of AEson. When Jason was grown up and came to demand the crown from his uncle, Pelias pretended to be willing to yield it, but at the same time suggested to the young man the glorious adventure of going in quest of the Golden Fleece, which it was well known was in the kingdom of Colchis, and was, as Pelias pretended, the rightful property of their family. Jason was pleased, with the thought and forthwith made preparations for the expedition. At that time the only species of navigation known to the Greeks consisted of small boats or canoes hollowed out from trunks of trees, so that when Jason employed Argus to build him a vessel capable of containing fifty men, it was considered a gigantic undertaking. It was accomplished, however, and the vessel named "Argo," from the name of the builder. Jason sent his invitation to all the adventurous young men of Greece, and soon found himself at the head of a band of bold youths, many of whom afterwards were renowned among the heroes and demigods of Greece. Hercules, Theseus, Orpheus, and Nestor were among them. They are called the Argonauts, from the name of their vessel.
The "Argo" with her crew of heroes of Thessaly and having touched at the Island of Lemnos, thence crossed to Mysia and thence to Thrace. Here they found the sage Phineus, and from him received instruction as to their future course. It seems the entrance of the Euxine Sea was impeded by two small rocky islands, which floated on the surface, and in their tossings and heavings occasionally came together, crushing and grinding to atoms any object that might be caught between them. They were called the Symplegades, or Clashing Islands. Phineus instructed the Argonauts how to pass this dangerous strait. When they reached the islands they let go a dove, which took her way between the rocks, and passed in safety, only losing some feathers of her tail. Jason and his men seized the favourable moment of the rebound, plied their oars with vigour, and passed safe through, though the islands closed behind them, and actually grazed their stern. They now rowed along the shore till they arrived at the eastern end of the sea, and landed at the kingdom of Colchis.
Jason made known his message to the Colchian king, AEetes, who consented to give tip the golden fleece if Jason would yoke to the plough two fire-breathing bulls with brazen feet, and sow the teeth of the dragon which Cadmus had slain, and from which it was well known that a crop of armed men would spring up, who would turn their weapons against their producer. Jason accepted the conditions, and a time was set for making the experiment. Previously, however, he found means to plead his cause to Medea, daughter of the king. He promised her marriage, and as they stood before the altar of Hecate, called the goddess to witness his oath. Medea yielded, and by her aid, for she was a potent sorceress, he was furnished with a charm, by which he could encounter safely the breath of the fire-breathing bulls and the weapons of the armed men.
At the time appointed, the people assembled at the grove of Mars, and the king assumed his royal seat, while the multitude covered the hill-sides. The brazen-footed bulls rushed in, breathing fire from their nostrils that burned up the herbage as they passed. The sound was like the roar of a furnace, and the smoke like that of water upon quick-lime. Jason advanced boldly to meet them. His friends, the chosen heroes of Greece, trembled to behold him. Regardless of the burning breath, he soothed their rage with his voice, patted their necks with fearless hand, and adroitly slipped over them the yoke, and compelled them to drag the plough. The Colchians were amazed; the Greeks shouted for joy. Jason next proceeded to sow the dragon's teeth and plough them in. And soon the crop of armed men sprang up, and, wonderful to relate! no sooner had they reached the surface than they began to brandish their weapons and rush upon Jason. The Greeks trembled for their hero, and even she who had provided him a way of safety and taught him how to use it, Medea herself, grew pale with fear. Jason for a time kept his assailants at bay with his sword and shield, till, finding their numbers overwhelming, he resorted to the charm which Medea had taught him, seized a stone and threw it in the midst of his foes. They immediately turned their arms against one another, and soon there was not one of the dragon's brood left alive. The Greeks embraced their hero, and Medea, if she dared, would have embraced him too.
It remained to lull to sleep the dragon that guarded the fleece, and this was done by scattering over him a few drops of a preparation which Medea had supplied. At the smell he relaxed his rage, stood for a moment motionless, then shut those great round eyes, that had never been known to shut before, and turned over on his side, fast asleep. Jason seized the fleece and with his friends and Medea accompanying, hastened to their vessel before AEetes the king could arrest their departure, and made the best of their way back to Thessaly, where they arrived safe, and Jason delivered the fleece to Pelias, and dedicated the "Argo" to Neptune. What became of the fleece afterwards we do not know, but perhaps it was found after all, like many other golden prizes, not worth the trouble it had cost to procure it.
This is one of those mythological tales, says a late writer, in which there is reason to believe that a substratum of truth exists, though overlaid by a mass of fiction. It probably was the first important maritime expedition, and like the first attempts of the kind of all nations, as we know from history, was probably of a half-piratical character. If rich spoils were the result it was enough to give rise to the idea of the golden fleece.
Another suggestion of a learned mythologist, Bryant, is that it is a corrupt tradition of the story of Noah and the ark. The name "Argo" seems to countenance this, and the incident of the dove is another confirmation.
Pope, in his "Ode on St. Cecilia's Day," thus celebrates the launching of the ship "Argo," and the power of the music of Orpheus, whom he calls the Thracian:
"So when the first bold vessel dared the seas,
High on the stern the Thracian raised his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demigods stood round,
And men grew heroes at the sound."
In Dyer's poem of "The Fleece" there is an account of the ship "Argo" and her crew, which gives a good picture of this primitive maritime adventure:
"From every region of AEgea's shore
The brave assembled; those illustrious twins
Castor and Pollux; Orpheus, tuneful bard;
Zetes and Calais, as the wind in speed;
Strong Hercules and many a chief renowned.
On deep Ioclos' sandy shore they thronged,
Gleaming in armour, ardent of exploits;
And soon, the laurel cord and the huge stone
Uplifting to the deck, unmoored the bark;
Whose keel of wondrous length the skilful hand
Of Argus fashioned for the proud attempt;
And in the extended keel a lofty mast
Upraised, and sails full swelling; to the chiefs
Unwonted objects. Now first, now they learned
Their bolder steerage over ocean wave,
Led by the golden stars, as Chiron's art
Had marked the sphere celestial," etc.
Hercules left the expedition at Mysia, for Hylas, a youth beloved by him, having gone for water, was laid hold of and kept by the nymphs of the spring, who were fascinated by his beauty. Hercules went in quest of the lad, and while he was absent the "Argo" put to sea and left him. Moore, in one of his songs, makes a beautiful allusion to this incident:
"When Hylas was sent with his urn to the fount,
Through fields of light and with heart full of play,
Light rambled the boy over meadow and mount,
And neglected his task for the flowers in the way.
"Thus many like me, who in youth should have tasted
The fountain that runs by Philosophy's shrine,
Their time with the flowers on the margin have wasted,
And left their light urns all as empty as mine."
MEDEA AND AESON
(* Hecate was a mysterious divinity sometimes identified with Diana and sometimes with Proserpine. As Diana represents the moonlight splendour of night, so Hecate represents its darkness and terrors. She was the goddess of sorcery and witchcraft, and was believed to wander by night along the earth, seen only by the dogs, whose barking told her approach.)
She next erected two altars, the one to Hecate, the other to Hebe, the goddess of youth, and sacrificed a black sheep, pouring libations of milk and wine. She implored Pluto and his stolen bride that they would not hasten to take the old man's life. Then she directed that AEson should be led forth, and having thrown him into a deep sleep by a charm, had him laid on a bed of herbs, like one dead. Jason and all others were kept away from the place, that no profane eyes might look upon her mysteries. Then, with streaming hair, she thrice moved round the altars, dipped flaming twigs in the blood, and laid them thereon to burn. Meanwhile the cauldron with its contents was got ready. In it she put magic herbs, with seeds and flowers of acrid juice, stones from the distant east, and sand from the shore of all-surrounding ocean; hoar frost, gathered by moonlight, a screech owl's head and wings, and the entrails of a wolf. She added fragments of the shells of tortoises, and the liver of stags- animals tenacious of life- and the head and beak of a crow, that outlives nine generations of men. These with many other things "without a name" she boiled together for her purposed work, stirring them up with a dry olive branch; and behold! the branch when taken out instantly became green, and before long was covered with leaves and a plentiful growth of young olives; and as the liquor boiled and bubbled, and sometimes ran over, the grass wherever the sprinklings fell shot forth with a verdure like that of spring.
Seeing that all was ready, Medea cut the throat of the old man and let out all his blood, and poured into his mouth and into his wound the juices of her cauldron. As soon as he had completely imbibed them, his hair and beard laid by their whiteness and assumed the blackness of youth; his paleness and emaciation were gone; his veins were full of blood, his limbs of vigour and robustness. AEson is amazed at himself, and remembers that such as he now is, he was in his youthful days, forty years before.
Medea used her arts here for a good purpose, but not so in another instance, where she made them the instruments of revenge. Pelias, our readers will recollect, was the usurping uncle of Jason, and had kept him out of his kingdom. Yet he must have had some good qualities, for his daughters loved him, and when they saw what Medea had done for AEson, they wished her to do the same for their father. Medea pretended to consent, and prepared her cauldron as before. At her request an old sheep was brought and plunged into the cauldron. Very soon a bleating was heard in the kettle, and when the cover was removed, a lamb jumped forth and ran frisking away into the meadow. The daughters of Pelias saw the experiment with delight, and appointed a time for their father to undergo the same operation. But Medea prepared her cauldron for him in a very different way. She put in only water and a few simple herbs. In the night she with the sisters entered the bed chamber of the old king, while he and his guards slept soundly under the influence of a spell cast upon them by Medea. The daughters stood by the bedside with their weapons drawn, but hesitated to strike, till Medea chid their irresolution. Then turning away their faces, and giving random blows they smote him with their weapons. He, starting from his sleep, cried out, "My daughters, what are you doing? Will you kill your father?" Their hearts failed them and their weapons fell from their hands, but Medea struck him a fatal blow, and prevented his saying more.
Then they placed him in the cauldron, and Medea hastened to depart in her serpent-drawn chariot before they discovered her treachery or their vengeance would have been terrible. She escaped, however, but had little enjoyment of the fruits of her crime. Jason, for whom she had done so much, wishing to marry Creusa, princess of Corinth, put away Medea. She, enraged at his ingratitude, called on the gods for vengeance, sent a poisoned robe as a gift to the bride, and then killing her own children, and setting fire to the palace, mounted her serpent-drawn chariot and fled to Athens, where she married King AEgeus, the father of Theseus, and we shall meet her again when we come to the adventures of that hero.
The incantations of Medea will remind the reader of those of the witches in "Macbeth." The following lines are those which seem most strikingly to recall the ancient model:
"Round about the cauldron go;
In the poisoned entrails throw.
Fillet of a fenny snake
In the cauldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder's fork and blind-worm's sting,
Lizard's leg and howlet's wing;
Maw of ravening salt-sea shark,
Root of hemlock digged in the dark," etc.
Macbeth, Act IV. Scene I.
And again:
Macbeth.- What is't you do?
Witches.- A deed without a name.
There is another story of Medea almost too revolting for record even of a sorceress, a class of persons to whom both ancient and modern poets have been accustomed to attribute every degree of atrocity. In her flight from Colchis she had taken her young brother Absyrtus with her. Finding the pursuing vessels of AEetes gaining upon the Argonauts, she caused the lad to be killed and his limbs to be strewn over the sea. AEetes on reaching the place found these sorrowful traces of his murdered son; but while he tarried to collect the scattered fragments and bestow upon them an honourable interment, the Argonauts escaped.
In the poems of Campbell will be found a translation of one of the choruses of the tragedy of "Medea," where the poet Euripides has taken advantage of the occasion to pay a glowing tribute to Athens, his native city. It begins thus:
"O haggard queen! to Athens dost thou guide
Thy glowing chariot, steeped in kindred gore;
Or seek to hide thy damned parricide
Where peace and justice dwell for evermore?"
