History Online
MYTHOLOGY
This book shall change your entire perception of history! What if Ancient Rome, Greece and Egypt were invented during Renaissance? What if Old Testament was a rendition of events of Middle Ages and was written well after the Gospels? What if Jesus Christ was born in 1053 and crucified in 1086 AD?
This book crowns over 30 of meticulous and extensive research.
Chapter 1 The problems of historical chronology
BACCHUS was the son of Jupiter and Semele. Juno, to gratify her resentment against Semele, contrived a plan for her destruction. Assuming the form of Beroe, her aged nurse, she insinuated doubts whether it was indeed Jove himself who came as a lover. Heaving a sigh, she said, "I hope it will turn out so, but I can't help being afraid. People are not always what they pretend to be. If he is indeed Jove, make him give some proof of it. Ask him to come arrayed in all his splendours, such as he wears in heaven. That will put the matter beyond a doubt." Semele was persuaded to try the experiment. She asks a favour, without naming what it is. Jove gives his promise, and confirms it with the irrevocable oath, attesting the river Styx, terrible to the gods themselves. Then she made known her request. The god would have stopped her as she spake, but she was too quick for him. The words escaped, and he could neither unsay his promise nor her request. In deep distress he left her and returned to the upper regions. There he clothed himself in his splendours, not putting on all his terrors, as when he overthrew the giants, but what is known among the gods as his lesser panoply. Arrayed in this, he entered the chamber of Semele. Her mortal frame could not endure the splendours of the immortal radiance. She was consumed to ashes.
Sounds unbelievable? Not after you've read "History: Fiction or Science?" by Anatoly Fomenko, leading mathematician of our time. He follows in steps of Sir Isaac Newton and finds clear evidence of falsification of History. Armed with logic, astronomy and computers he proves the history of humankind to be both dramatically different and drastically shorter than generally presumed.
Archaeological, dendrochronological, paleographical and carbon methods of dating of ancient sources and artifacts are both non-exact and contradictory, therefore there is not a single piece of firm written evidence or artifact that could be reliably and independently dated earlier than the XI century.
The consensual chronology we live with was essentially crafted in the XVI century from the contradictory mix of innumerable copies of ancient Latin and Greek manuscripts (all originals have mysteriously disappeared) and the "proofs" delivered by the late mediaeval astronomers, cemented by the authority of writings of the Church Fathers.
In fact, for the last 300 years, the whole class of historians created, researched, perfected and polished a world of phantom universal history and classical civilization artfully constructed by their predecessors in the course of XVI-XVIII centuries at the command of powers of that time. They have polished the real world history into oblivion!
"History:Fiction or Science?", supplies You with sufficient proof to reach step by step for yourself the inevitable conclusion that the classical chronology is false and therefore, that the history of ancient and medieval world, is also FALSE. After reading this book you will certainly have a fresh and very suspicious outlook on "ancient" and "enigmatic" Roman, Greek and Egyptian, mediaeval as well as all other "lost and found" civilizations.
Henry Ford once said: "History is more or less bunk!"
Prominent mathematician Anatoly Fomenko proves it.
Contents
1. Roman chronology as the foundation of European chronology
2. Scaliger, Petavius, and other clerical chronologers.
The creation of contemporary chronology of the ancient times in the XVI-XVII century a.d.
3. The veracity of the Scaliger-Petavius chronology was questioned as early as the XVI century
3.1. Who criticized Scaliger's chronology and where.
3.1.1. De Arcilla, Robert Baldauf, Jean Hardouin, Edwin Johnson, Wilhelm Kammeyer
3.1.2. Sir Isaac Newton
3.1.3. Nikolai Alexandrovich Morozov
3.1.4. Recent publications of German scientists containing criticisms of Scaliger's chronologY.
3.2. The questionnable veracity of the Roman chronology and history.
The hypercritical school of the XIX century
4. The problems in establishing a correct chronology of "ancient" Egypt
5. The problem in dating the "ancient" sources.Tacitus and Poggio
Cicero and Barzizza. Vitruvius and Alberti
6. Timekeeping in the Middle Ages. Historians discuss the "chaos reigning
in the mediaeval datings."
Peculiar mediaeval anachronisms
7. The chronology and the dating of Biblical texts
8. Difficulties and contradictions arising from the reading of old texts
8.1. How does one read a text written in consonants exclusively? The vocalization problem
9. Problems in the Scaligerian geography of Biblical events
9.1. Archaeology and the Old Testament
9.2. Archaeology and the New Testament
10. Ancient historical events: geographic localization issues
10.1. The locations of Troy and Babylon.
13.3. The alleged acceleration of the destruction of the "ancient" monuments
10.2. The geography of Herodotus is at odds with the Scaligerian version
10.3. The inverted maps of the Middle Ages
11. A modern analysis of Biblical geography
12. The mysterious Renaissance epoch as a product of the Scaligerian chronology
13. The foundations of archaeological methods have been based
on the Scaligerian
chronology from the very beginning
13.4. When did the construction of the Cologne Cathedral really begin?
13.5. Archaeological methods are most often based on Scaliger's datings
13.6. One of the numerous problems of the Scaligerian history
the problem
of bronze manufacture before the discovery of tin.
14. The problems and deficiencies of dendrochronology and several other dating methods
14.1. The consequent scale of dendrochronological datings does not extend
further back in time than the X century a.d.
14.2. Sedimentary layer datings. The methods of radium-uranium and radium-actinium analysis
15. Are radiocarbon datings to be trusted?
15.1. The radiocarbon datings of ancient, mediaeval, and modern specimens are scattered chaotically
15.1.1. Libby's initial idea. The first failures
15.1.2. A criticism of the application of the radiocarbon method to historical specimens
15.2. The dating of the Shroud of Turin
15.3 Modern radiocarbon analysis of Egyptian artefacts demonstrates serious contradictions
16. Critical analysis of the hypotheses on which the radiocarbon method is based. By A. S. Mishchenko
16.1. W. F. Libby's initial idea
16.2. Physical basics of the radiocarbon method
16.3. The hypotheses that the radiocarbon method is based upon
16.4. The moment of the object's departure from the exchange reservoir
16.5. Radiocarbon content variations in the exchange reservoir
16.6. Variations in radiocarbon content of living bodies
18. Numismatic datings
Chapter 2 Astronomical datings
1. The strange leap of parameter D" in the Theory of Lunar Motion
2. Are the "ancient" and mediaeval eclipses dated correctly?
2.1. Some astronomical data
2.2. The discovery of an interesting effect: an unprejudiced astronomical dating
shifts the dates of the "ancient" eclipses to the Middle Ages
2.3. Three eclipses described by the "ancient" Thucydides
2.4. The eclipses described by the "ancient" Titus Livy
3. Transferring the dates of the "ancient" eclipses forward in time into
the Middle Ages
eliminates the enigmatic behaviour of the parameter D".
4. Astronomy moves the "ancient" horoscopes into the Middle Ages
4.1. The mediaeval astronomy
4.2. The method of unprejudiced astronomical dating
4.3. Many "ancient astronomical observations" may have been theoretically
calculated
by late mediaeval astronomers and then included into the "ancient"
chronicles as "real observations"
4.4. Which astronomical "observations of the ancients" could have been
a result
of late mediaeval theoretic calculations?
5. A brief account of several examples of Egyptian Zodiacs
5.1. Some general observations
5.2. The Dendera Zodiacs
5.3. The horoscopes of Brugsch and Flinders Petrie
5.4. Finite datings of the Egyptian Zodiacs based on their complete deciphering,
as obtained by A. T. Fomenko and G. V. Nosovskiy in 2001
5.5. On the errors of E. S. Goloubtsova and Y. A. Zavenyagin 6. Astronomy in the New Testament
Chapter 3 The new dating of the astronomical horoscope as described in the Apocalypse
By A. T. Fomenko and G. V. Nosovskiy
1. The proposed research method
2. General information about the Apocalypse and the time of its creation
3. Ursa Major and the throne
4. The events took place on the Isle of Patmos
5. The constellations of Cassiopeia and the throne were drawn as Christ
sitting on his throne in the Middle Ages
6. The Milky Way
7. Twenty-four sidereal hours and the constellation of the Northern Crown
8. Leo, Taurus, Sagittarius, Pegasus
9. The daily rotation of the Northern Crown
10. Equine planetary images in mediaeval astronomy
11. Jupiter is in Sagittarius
12. Mars is beneath Perseus in either Gemini or Taurus
13. Mercury is in Libra
14. Saturn is in Scorpio
15. The Sun is in Virgo with the Moon underneath the feet of the latter
16. Venus is in Leo
17. The astronomical dating of the Apocalypse by the horoscope it contains
18. Our reconstruction of the initial content of the Apocalypse
Chapter 4 Astronomy in the Old Testament
1. Mediaeval astronomy in the Old Testament Book of Ezekiel
1.1. The title of the book
1.2. The description of the Milky Way and the Ophiuchus constellation
1.3. The Biblical description of the astronomical sectors, or "wings," on the celestial sphere
1.4. The constellations of Leo, Taurus and Aquila
1.5. The Biblical description of the mediaeval "wheels," or planetary orbits
1.6. Parallels with the astronomical symbolism of the Apocalypse
1.7. Biblical cherubim, chariots, and mediaeval planetary orbital wheels
1.8. The Biblical description of mediaeval cosmology as a celestial temple
2. The Biblical prophecy of Zechariah and the date of its creation
3. The Biblical prophecy of Jeremiah and the date of its creation
4. The Biblical prophecy of Isaiah and the date of its creation
5. The Biblical prophecy of Daniel and the date of its creation
Chapter 5 The methods of dating the ancient events offered by mathematical statistics
1. The local maxima method
1.1. The historical text volume function
1.2. The maxima correlation principle
1.3. Statistical model
1.4. Experimental test of the maxima correlation principle.
Examples of dependent and independent historical texts
1.5. Method of dating the historical events
2. Volume functions of historical texts and the amplitude correlation principle.
By A. T. Fomenko and S. T. Rachev
2.1. Dependent and independent chronicles. Volume function maxima correlletions
2.2. Rich and poor chronicles and chronicle zones
2.3. Significant and insignificant zeroes of volume functions
2.4. The information respect principles
2.5. The amplitude correlation principle of volume graphs in the poor zones of chronicles
2.6. Description of statistical model and formalization
2.7. The hypothesis about the increase of the "form" parameter of a chronicle in the course of times
2.8. The list and characteristics of the Russian chronicles we investigated
2.9. The final table of the numeric experiment
2.10. Interesting consequences of the numeric experiment.
The confirmation of the statistical model
2.11. Comparison of a priori dependent Russian chronicles
2.12. Comparison of a priori independent Russian chronicles
2.13. Growth of form parameter in the course of time
for the Russian chronicles after the XIII century
2.14. Growth of the average form parameter over the course of time
for groups
of Russian chronicles of the XIII-XVI century
2.15. Growth of the average parameter of form over the course of time
for the groups
of Russian chronicles of the alleged IX-XIII century
2.16. Chronological shift by 300 or 400 years in Russian history
2.17. Conclusions
3. The maxima correlation principle on the material of the sources pertinent
to
the epoch of Strife in the History of Russia (1584-1619)
By A. T. Fomenko, N. S. Kellin and L. E. Morozova
4. The method for the recognition and dating of the dynasties of rulers.
The small dynastic distortions principle
4.1. The formulation of the small dynastic distortions principle
4.2. The statistical model
4.3. Refinement of the model and the computation experimens
4.4. Result of the experiment: coefficient c(a, b) positively distinguishes
between the dependent and independent dynasties of kings
4.5. The method of dating the royal dynasties and the method
detecting the phantom dynastic duplicates
5. The frequency damping principle.The method of ordering of historical texts in time
6. Application of the method to some concrete historical texts
7. Method of dating of the events
8. The frequencies duplication principle. The duplicate detection method
9. Statistical analysis of the Bible
9.1. Partition of the Bible into 218 "generation chapters"
9.2. Detection of the previously known duplicates in the Bible
with the aid of the frequency dumping principle
9.3. New, previously unknown duplicates we discovered in the Bible.
General scheme of their distribution within the Bible
9.4. A representative example: the new statistical dating of the Apocalypse,
which moves from the New Testament into the Old Testament
10. The method of form-codes. The comparison of two long currents of regal biographies
11. Correct chronological ordering method and dating of ancient geographical maps
Chapter 6 The construction of a global chronological map and the results of applying
mathematical procedures of dating to the Scaligerian version of the ancient history
1. Textbook of ancient and mediaeval history in the consensual Scaliger-Petavius datings
2. Mysterious duplicate chronicles inside the "Scaliger-Petavius textbook"
3. Mysterious duplicate regal dynasties inside the "textbook by Scaliger-Petavius"
4. Brief tables of some astonishing dynastic parallelisms
5. Conformity of results obtained by different methods
5.1. General assertion
5.2. The agreement of the different methods on the example of the identification
of the Biblical Judaic reign with the Holy Roman Empire of allegedly X-XIII century a.d.
6. The general layout of duplicates in "the textbook by Scaliger-Petavius".
The discovery of the three basic chronological shifts
7. The Scaligerian textbook of the ancient history glued together
four duplicates of the short original chronicle
8. The list of phantom "ancient" events which are phantom duplicates,
or reflections of the mediaeval originals
9. Identification of the "ancient" Biblical history with the mediaeval European history
10. Our hypothesis: history as described in surviving chronicles only begins in ca. the X century a.d.
We know nothing of the events that took place before the X century a.d.
11. Authentic history only begins in XVII century a.d.
The history of the XI-XVI century is largely distorted.
Many dates of the XI-XVI century require correction
12. The radical distinction of our chronological concept from the version of N. A. Morozov
13. The hypothesis about the cause of the fallacious chronological
shifts
in the creation of the history of antiquity
13.1. Chronological shift of a thousand years as the consequence of the fallacious dating of Jesus Christ's life
13.2. The letter "X" formerly denoted the name of Christ,
but was later proclaimed to stand for the figure of ten.
The letter "I" formerly denoted the name of Jesus, but
was later proclaimed to be the indication of one thousand
13.3. Until the XVIII century, the Latin letters "I" or "J" - i.e. the
first letters of the name of Jesus -
were still used in several
European regions to denote "one" in recording of dates
13.4. How the chronological shift by 330 or 360 years could have occured
13.5. What latin letters "M", "D", "C" in Roman dates meant originally, in the Middle Ages
13.5.1. General idea
13.5.2. Example: the date on the tomb of Empress Gisela
13.5.3. Another example: the date on the headstone of Emperor Rudolf Habsburg
13.5.4. Recording of mediaeval dates was not unified everywhere even in the XVIII century
13.5.5. Some datings of printed books and manuscripts dating
from the XV-XVII century
will apparently have to be moved
forwards in time by at least fifty more years
13.6. The foundation date of Rome of Italy
13.7. A later confusion of foundation dates of the two Romes,
on the Bosporus and in Italy.
13.8. Scaliger and the Council of Trent. Creation of the Scaligerian
chronology
of antiquity in the XVI-XVII century
13.9. Two phantom "ancient" reflections of Dionysius Petavius,
a mediaeval chronologist of the XVII century
14. A stratified structure of the Scaligerian textbook of ancient history
15. The coordination of a new astronomical dating with a dynastic parallel
16. A strange lapse in the Scaligerian chronology near "the beginning of the new era"
Chapter 7 "Dark Ages" in mediaeval history
1. The mysterious Renaissance of the "Classical Age" in mediaeval Rome
1.1. The lugubrious "Dark Ages" in Europe that presumably succeeded
the beauteous "Classical Age"
1.2. Parallels between "antiquity" and the Middle Ages that are known
to historians, but misinterpreted by them
1.3. Mediaeval Roman legislators convene in the presumably destroyed "ancient" Capitol
1.4. The real date when the famous "ancient" statue of Marcus Aurelius
was manufactured
1.5. Could the "ancient" Emperor Vitellius have posed for the mediaeval
artist Tintoretto?
1.6. The amount of time required for the manufacture of one sheet of parchment
1.7. The "ancient" Roman Emperor Augustus had been Christian, since
he wore a mediaeval crown with a Christian cross
2. The "ancient" historian Tacitus and the well-known Renaissance writer Poggio Bracciolini
3. The mediaeval Western European Christian cult and the "ancient" pagan
Bacchic celebrations
4. Petrarch (= Plutarch?) and the "Renaissance of antiquity"
4.1. How Petrarch created the legend of the glory of Italian Rome out of nothing
4.2. Petrarch's private correspondence with people considered
"ancient characters" nowadays
5. "Ancient" Greece and mediaeval Greece of the XIII-XVI century
5.1. The history of the mediaeval Athens is supposed to be obscured by darkness
up until the XVI century
5.2. Greece and the Crusades
5.3. The history of Greek and Athenian archaeology is relatively short
5.4. The tendentious distortion of the image of mediaeval Athens in
the "restoration works"
of the XIX-XX century
6. Strange parallels in the Scaligerian history of religions
6.1. Mediaeval Christianity and its reflection in the Scaligerian "pagan antiquity"
6.2. Mediaeval Christianity and "ancient" Mithraism
6.3. References to Jesus Christ contained in "ancient" Egyptian artefacts
6.4. Researchers of the ancient religions commenting on the strange similarities
between the cults of "antiquity" and those of the Middle Ages
6.5. Moses, Aaron and their sister Virgin Mary on the pages of the Koran
6.6. The XI century as the apparent epoch of St. Mark's lifetime.
The history of St. Mark's Cathedral in Venice
7. The "ancient" Egypt and the Middle Ages
7.1. The odd graph of demotic text datings
7.2. The enigmatic "revival periods" in the history of "ancient" Egypt
7.3. The ancient Hittites and the mediaeval Goths
8. Problems inherent in the Scaligerian chronology of India
9. Was the artificial elongation of ancient history deliberate?
Annexes
2.1. (to chapter 2) Grammatical analysis of an eclipse description
in History by Thucydides. By Y. V. 471
5.1. (to chapter 5) Per annum volume distribution in some Russian chronicles
5.2. (to chapter 5) Frequency matrix of names and parallels in the Bible
By V. P. Fomenko and T. G. Fomenko
6.1. (to chapter 6) Per annum volume distribution in The History of the City
of Rome
in the Middle Ages by F. Gregorovius
6.2. (to chapter 6) Per annum volume distribution in The Roman History
from
the Foundation of the City by Titus Livy
6.3. (to chapter 6) Per annum volume distribution in the book by Baronius
describing mediaeval Rome
6.4. (to chapter 6) The "double entry" of the Biblical royal reigns of Israel and Judah
6.5. (to chapter 6) Armenian history. Emperors of the Holy Roman Empire
of the alleged X-XIII century a.d., a.k.a. the Kings of Judah, a.k.a. the
mediaeval Armenian Catholicoses
1. Three phantom reflections of the same mediaeval dynasty
2. The parallelism between the mediaeval Armenian history
and the phantom Roman Empire according to Scaliges
6.6. (to chapter 6) The identification of the "ancient" Kingdom of Judah
with the Holy Roman Empire of the alleged X-XIII century a.d.
The correlation between reign durations and biographical volumes
•
Religions
•
Roman gods
•
Prometheus
•
Apollo
•
Juno
•
Diana
•
Phaeton
•
Glaucus
•
Pygmalion
•
Venus
•
Cupid
•
Echo
•
Narcissus
•
Minerva
•
Golden Fleece I
•
Atlas
•
Sphinx
•
Pegasus
•
Medusa
•
Golden Fleece II
•
Centaurs
•
Hercules
•
Bacchus
•
Troyan war
•
The Iliad
BACCHUS
Jove took the infant Bacchus and gave him in charge to the Nysaean nymphs, who nourished his infancy and childhood, and for their care were rewarded by Jupiter by being placed, as the Hyades, among the stars. When Bacchus grew up he discovered the culture of the vine and the mode of extracting its precious juice; but Juno struck him with madness, and drove him forth a wanderer through various parts of the earth. In Phrygia the goddess Rhea cured him and taught him her religious rites, and he set out on a progress through Asia, teaching the people the cultivation of the vine. The most famous part of his wanderings is his expedition to India, which is said to have lasted several years. Returning in triumph, he undertook to introduce his worship into Greece, but was opposed by some princes, who dreaded its introduction on account of the disorder and madness it brought with it.
As he approached his native city Thebes, Pentheus the king, who had no respect for the new worship, forbade its rites to be performed. But when it was known that Bacchus was advancing, men and women, but chiefly the latter, young and old, poured forth to meet him and to join his triumphal march.
Mr. Longfellow in his "Drinking Song" thus describes the march of Bacchus:
"Fauns with youthful Bacchus follow;
Ivy crowns that brow, supernal
As the forehead of Apollo,
And possessing youth eternal.
"Round about him fair Bacchantes,
Bearing cymbals, flutes and thyrses,
Wild from Naxian groves of Zante's
Vineyards, sing delirious verses."
It was in vain Pentheus remonstrated, commanded and threatened. "Go," said he to his attendants, "seize this vagabond leader of the rout and bring him to me. I will soon make him confess his false claim of heavenly parentage and renounce his counterfeit worship." It was in vain his nearest friends and wisest counsellors remonstrated and begged him not to oppose the god. Their remonstrances only made him more violent.
But now the attendants returned whom he had despatched to seize Bacchus. They had been driven away by the Bacchanals, but had succeeded in taking one of them prisoner, whom, with his hands tied behind him, they brought before the king. Pentheus, beholding him with wrathful countenance, said "Fellow! you shall speedily be put to death, that your fate may be a warning to others; but though I grudge the delay of your punishment, speak, tell us who you are, and what are these new rites you presume to celebrate."
The prisoner, unterrified, responded, "My name is Acetes; my country is Maeonia; my parents were poor people, who had no fields or flocks to leave me, but they left me their fishing rods and nets and their fisherman's trade. This I followed for some time, till growing weary of remaining in one place, I learned the pilot's art and how to guide my course by the stars. It happened as I was sailing for Delos we touched at the island of Dia and went ashore. Next morning I sent the men for fresh water, and myself mounted the hill to observe the wind; when my men returned bringing with them a prize, as they thought, a boy of delicate appearance, whom they had found asleep. They judged he was a noble youth, perhaps a king's son, and they might get a liberal ransom for him. I observed his dress, his walk, his face, There was something in them which I felt sure was more than mortal. I said to my men, 'What god there is concealed in that form I know not, but some one there certainly is. Pardon us, gentle deity, for the violence we have done you, and give success to our undertakings.' Dictys, one of my best hands for climbing the mast and coming down by the ropes, and Melanthus, my steersman, and Epopeus, the leader of the sailor's cry, one and all exclaimed, 'Spare your prayers for us.' So blind is the lust of gain! When they proceeded to put him on board I resisted them. 'This ship shall not be profaned by such impiety,' said I. 'I have a greater share in her than any of you.' But Lycabas, a turbulent fellow, seized me by the throat and attempted to throw my overboard, and I scarcely saved myself by clinging to the ropes. The rest approved the deed.
"Then Bacchus (for it was indeed he), as if shaking off his drowsiness, exclaimed, 'What are you doing with me? What is this fighting about? Who brought me here? Where are you going to carry me?' One of them replied, 'Fear nothing; tell us where you wish to go and we will take you there.' 'Naxos is my home,' said Bacchus; 'take me there and you shall be well rewarded.' They promised so to do, and told me to pilot the ship to Naxos. Naxos lay to the right, and I was trimming the sails to carry us there, when some by signs and others by whispers signified to me their will that I should sail in the opposite direction, and take the boy to Egypt to sell him for a slave, I was confounded and said, 'Let some one else pilot the ship;' withdrawing myself from any further agency in their wickedness. They cursed me, and one of them, exclaiming, 'Don't flatter yourself that we depend on you for our safety,' took my place as pilot, and bore away from Naxos.
"Then the god, pretending that he had just become aware of their treachery, looked out over the sea and said in a voice of weeping, 'Sailors, these are not the shores you promised to take me to; yonder island is not my home. What have I done that you should treat me so? It is small glory you will gain by cheating a poor boy.' I wept to hear him, but the crew laughed at both of us, and sped the vessel fast over the sea. All at once- strange as it may seem, it is true,- the vessel stopped, in the mid sea, as fast as if it was fixed on the ground. The men, astonished, pulled at their oars, and spread more sail, trying to make progress by the aid of both, but all in vain. Ivy twined round the oars and hindered their motion, and clung to the sails, with heavy clusters of berries. A vine, laden with grapes, ran up the mast, and along the sides of the vessel. The sound of flutes was heard and the odour of fragrant wine spread all around. The god himself had a chaplet of vine leaves, and bore in his hand a spear wreathed with ivy. Tigers crouched at his feet, and forms of lynxes and spotted panthers played around him. The men were seized with terror or madness; some leaped overboard; others preparing to do the same beheld their companions in the water undergoing a change, their bodies becoming flattened and ending in a crooked tail. One exclaimed, 'What miracle is this!' and as he spoke his mouth widened, his nostrils expanded, and scales covered all his body. Another, endeavouring to pull the oar, felt his hands shrink up and presently to be no longer hands but fins; another, trying to raise his arms to a rope, found he had no arms, and curving his mutilated body jumped into the sea. What had been his legs became the two ends of a crescent-shaped tail. The whole crew became dolphins and swam about the ship, now upon the surface, now under it, scattering the spray, and spouting the water from their broad nostrils. Of twenty men I alone was left. Trembling with fear, the god cheered me. 'Fear not,' said he; 'steer towards Naxos.' I obeyed, and when we arrived there, I kindled the altars and celebrated the sacred rites of Bacchus."
Pentheus here exclaimed, "We have wasted time enough on this silly story. Take him away and have him executed without delay." Acetes was led away by the attendants and shut up fast in prison; but while they were getting ready the instruments of execution the prison doors came open of their own accord and the chains fell from his limbs, and when they looked for him he was nowhere to be found.
Pentheus would take no warning, but instead of sending others, determined to go himself to the scene of the solemnities. The mountain Citheron was all alive with worshippers, and the cries of the Bacchanals resounded on every side. The noise roused the anger of Pentheus as the sound of a trumpet does the fire of a war-horse. He penetrated through the wood and reached an open space where the chief scene of the orgies met his eyes. At the same moment the women saw him; and first among them his own mother, Agave, blinded by the god, cried out, "See there the wild boar, the hugest monster that prowls in these woods! Come on, sisters! I will be the first to strike the wild boar." The whole band rushed upon him, and while he now talks less arrogantly, now excuses himself, and now confesses his crime and implores pardon, they press upon him and wound him. In vain he cries to his aunts to protect him from his mother. Autonoe seized one arm, Ino the other, and between them he was torn to pieces, while his mother shouted, "Victory! Victory! we have done it; the glory is ours!"
So the worship of Bacchus was established in Greece.
There is an allusion to the story of Bacchus and the mariners in Milton's "Comus," at line 46. The story of Circe will be found in Chapter XXIX.
"Bacchus that first from out the purple grapes
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore as the winds listed
On Circe's island fell; (who knows not Circe,
The daughter of the Sun? whose charmed cup
Whoever tasted lost his upright shape,
And downward fen into a grovelling swine.)"
