History Online
MYTHOLOGY
This book shall change your entire perception of history! What if Ancient Rome, Greece and Egypt were invented during Renaissance? What if Old Testament was a rendition of events of Middle Ages and was written well after the Gospels? What if Jesus Christ was born in 1053 and crucified in 1086 AD?
This book crowns over 30 of meticulous and extensive research.
Chapter 1 The problems of historical chronology
PHAĖTON was the son of Apollo and the nymph Clymene. One day a schoolfellow laughed at the idea of his being the son of the god, and Phaėton went in rage and shame and reported it to his mother. "If," said he, "I am indeed of heavenly birth, give me, mother, some proof of it, and establish my claim to the honor." Clymene stretched forth her hands towards the skies, and said, "I call to witness the Sun which looks down upon us, that I have told you the truth. If I speak falsely, let this be the last time I behold his light. But it needs not much labor to go and inquire for yourself; the land whence the Sun rises lies next to ours. Go and demand of him whether he will own you as a son." Phaėton heard with delight. He travelled to India, which lies directly in the regions of sunrise; and, full of hope and pride, approached the goal whence his parent begins his course.
BACCHUS, on a certain occasion, found his old schoolmaster and foster-father, Silenus, missing. The old man had been drinking, and in that state wandered away, and was found by some peasants, who carried him to their king, Midas. Midas recognized him, and treated him hospitably, entertaining him for ten days and nights with an unceasing round of jollity. On the eleventh day he brought Silenus back, and restored him in safety to his pupil. Whereupon Bacchus offered Midas his choice of a reward, whatever he might wish. He asked that whatever he might touch should be changed into gold. Bacchus consented, though sorry that he had not made a better choice. Midas went his way, rejoicing in his new-acquired power, which he hastened to put to the test. He could scarce believe his eyes when he found a twig of an oak, which he plucked from the branch, become gold in his hand. He took up a stone; it changed to gold. He touched a sod; it did the same. He took up an apple from the tree; you would have thought he had robbed the garden of the Hesperides. His joy knew no bounds, and as soon as he got home, he ordered the servants to set a splendid repast on the table. Then he found to his dismay that whether he touched bread, it hardened in his hand; or put a morsel to his lip, it defied his teeth. He took a glass of wine, but it flowed down his throat like melted gold.
On a certain hill in Phrygia stands a linden tree and an oak, enclosed by a low wall. Not far from the spot is a marsh, formerly good habitable land, but now indented with pools, the resort of fen-birds and cormorants. Once on a time Jupiter, in human shape, visited this country, and with him his son Mercury (he of the caduceus), without his wings. They presented themselves, as weary travellers, at many a door, seeking rest and shelter, but found all closed, for it was late, and the inhospitable inhabitants would not rouse themselves to open for their reception. At last a humble mansion received them, a small thatched cottage, where Baucis, a pious old dame, and her husband Philemon, united when young, had grown old together. Not ashamed of their poverty, they made it endurable by moderate desires and kind dispositions. One need not look there for master or for servant; they two were the whole household, master and servant alike. When the two heavenly guests crossed the humble threshold, and bowed their heads to pass under the low door, the old man placed a seat, on which Baucis, bustling and attentive, spread a cloth, and begged them to sit down. Then she raked out the coals from the ashes, and kindled up a fire, fed it with leaves and dry bark, and with her scanty breath blew it into a flame. She brought out of a corner split sticks and dry branches, broke them up, and placed them under the small kettle. Her husband collected some pot-herbs in the garden, and she shred them from the stalks, and prepared them for the pot. He reached down with a forked stick a flitch of bacon hanging in the chimney, cut a small piece, and put it in the pot to boil with the herbs, setting away the rest for another time. A beechen bowl was filled with warm water, that their guests might wash. While all was doing, they beguiled the time with conversation.
Sounds unbelievable? Not after you've read "History: Fiction or Science?" by Anatoly Fomenko, leading mathematician of our time. He follows in steps of Sir Isaac Newton and finds clear evidence of falsification of History. Armed with logic, astronomy and computers he proves the history of humankind to be both dramatically different and drastically shorter than generally presumed.
Archaeological, dendrochronological, paleographical and carbon methods of dating of ancient sources and artifacts are both non-exact and contradictory, therefore there is not a single piece of firm written evidence or artifact that could be reliably and independently dated earlier than the XI century.
The consensual chronology we live with was essentially crafted in the XVI century from the contradictory mix of innumerable copies of ancient Latin and Greek manuscripts (all originals have mysteriously disappeared) and the "proofs" delivered by the late mediaeval astronomers, cemented by the authority of writings of the Church Fathers.
In fact, for the last 300 years, the whole class of historians created, researched, perfected and polished a world of phantom universal history and classical civilization artfully constructed by their predecessors in the course of XVI-XVIII centuries at the command of powers of that time. They have polished the real world history into oblivion!
"History:Fiction or Science?", supplies You with sufficient proof to reach step by step for yourself the inevitable conclusion that the classical chronology is false and therefore, that the history of ancient and medieval world, is also FALSE. After reading this book you will certainly have a fresh and very suspicious outlook on "ancient" and "enigmatic" Roman, Greek and Egyptian, mediaeval as well as all other "lost and found" civilizations.
Henry Ford once said: "History is more or less bunk!"
Prominent mathematician Anatoly Fomenko proves it.
Contents
1. Roman chronology as the foundation of European chronology
2. Scaliger, Petavius, and other clerical chronologers.
The creation of contemporary chronology of the ancient times in the XVI-XVII century a.d.
3. The veracity of the Scaliger-Petavius chronology was questioned as early as the XVI century
3.1. Who criticized Scaliger's chronology and where.
3.1.1. De Arcilla, Robert Baldauf, Jean Hardouin, Edwin Johnson, Wilhelm Kammeyer
3.1.2. Sir Isaac Newton
3.1.3. Nikolai Alexandrovich Morozov
3.1.4. Recent publications of German scientists containing criticisms of Scaliger's chronologY.
3.2. The questionnable veracity of the Roman chronology and history.
The hypercritical school of the XIX century
4. The problems in establishing a correct chronology of "ancient" Egypt
5. The problem in dating the "ancient" sources.Tacitus and Poggio
Cicero and Barzizza. Vitruvius and Alberti
6. Timekeeping in the Middle Ages. Historians discuss the "chaos reigning
in the mediaeval datings."
Peculiar mediaeval anachronisms
7. The chronology and the dating of Biblical texts
8. Difficulties and contradictions arising from the reading of old texts
8.1. How does one read a text written in consonants exclusively? The vocalization problem
9. Problems in the Scaligerian geography of Biblical events
9.1. Archaeology and the Old Testament
9.2. Archaeology and the New Testament
10. Ancient historical events: geographic localization issues
10.1. The locations of Troy and Babylon.
13.3. The alleged acceleration of the destruction of the "ancient" monuments
10.2. The geography of Herodotus is at odds with the Scaligerian version
10.3. The inverted maps of the Middle Ages
11. A modern analysis of Biblical geography
12. The mysterious Renaissance epoch as a product of the Scaligerian chronology
13. The foundations of archaeological methods have been based
on the Scaligerian
chronology from the very beginning
13.4. When did the construction of the Cologne Cathedral really begin?
13.5. Archaeological methods are most often based on Scaliger's datings
13.6. One of the numerous problems of the Scaligerian history
the problem
of bronze manufacture before the discovery of tin.
14. The problems and deficiencies of dendrochronology and several other dating methods
14.1. The consequent scale of dendrochronological datings does not extend
further back in time than the X century a.d.
14.2. Sedimentary layer datings. The methods of radium-uranium and radium-actinium analysis
15. Are radiocarbon datings to be trusted?
15.1. The radiocarbon datings of ancient, mediaeval, and modern specimens are scattered chaotically
15.1.1. Libby's initial idea. The first failures
15.1.2. A criticism of the application of the radiocarbon method to historical specimens
15.2. The dating of the Shroud of Turin
15.3 Modern radiocarbon analysis of Egyptian artefacts demonstrates serious contradictions
16. Critical analysis of the hypotheses on which the radiocarbon method is based. By A. S. Mishchenko
16.1. W. F. Libby's initial idea
16.2. Physical basics of the radiocarbon method
16.3. The hypotheses that the radiocarbon method is based upon
16.4. The moment of the object's departure from the exchange reservoir
16.5. Radiocarbon content variations in the exchange reservoir
16.6. Variations in radiocarbon content of living bodies
18. Numismatic datings
Chapter 2 Astronomical datings
1. The strange leap of parameter D" in the Theory of Lunar Motion
2. Are the "ancient" and mediaeval eclipses dated correctly?
2.1. Some astronomical data
2.2. The discovery of an interesting effect: an unprejudiced astronomical dating
shifts the dates of the "ancient" eclipses to the Middle Ages
2.3. Three eclipses described by the "ancient" Thucydides
2.4. The eclipses described by the "ancient" Titus Livy
3. Transferring the dates of the "ancient" eclipses forward in time into
the Middle Ages
eliminates the enigmatic behaviour of the parameter D".
4. Astronomy moves the "ancient" horoscopes into the Middle Ages
4.1. The mediaeval astronomy
4.2. The method of unprejudiced astronomical dating
4.3. Many "ancient astronomical observations" may have been theoretically
calculated
by late mediaeval astronomers and then included into the "ancient"
chronicles as "real observations"
4.4. Which astronomical "observations of the ancients" could have been
a result
of late mediaeval theoretic calculations?
5. A brief account of several examples of Egyptian Zodiacs
5.1. Some general observations
5.2. The Dendera Zodiacs
5.3. The horoscopes of Brugsch and Flinders Petrie
5.4. Finite datings of the Egyptian Zodiacs based on their complete deciphering,
as obtained by A. T. Fomenko and G. V. Nosovskiy in 2001
5.5. On the errors of E. S. Goloubtsova and Y. A. Zavenyagin 6. Astronomy in the New Testament
Chapter 3 The new dating of the astronomical horoscope as described in the Apocalypse
By A. T. Fomenko and G. V. Nosovskiy
1. The proposed research method
2. General information about the Apocalypse and the time of its creation
3. Ursa Major and the throne
4. The events took place on the Isle of Patmos
5. The constellations of Cassiopeia and the throne were drawn as Christ
sitting on his throne in the Middle Ages
6. The Milky Way
7. Twenty-four sidereal hours and the constellation of the Northern Crown
8. Leo, Taurus, Sagittarius, Pegasus
9. The daily rotation of the Northern Crown
10. Equine planetary images in mediaeval astronomy
11. Jupiter is in Sagittarius
12. Mars is beneath Perseus in either Gemini or Taurus
13. Mercury is in Libra
14. Saturn is in Scorpio
15. The Sun is in Virgo with the Moon underneath the feet of the latter
16. Venus is in Leo
17. The astronomical dating of the Apocalypse by the horoscope it contains
18. Our reconstruction of the initial content of the Apocalypse
Chapter 4 Astronomy in the Old Testament
1. Mediaeval astronomy in the Old Testament Book of Ezekiel
1.1. The title of the book
1.2. The description of the Milky Way and the Ophiuchus constellation
1.3. The Biblical description of the astronomical sectors, or "wings," on the celestial sphere
1.4. The constellations of Leo, Taurus and Aquila
1.5. The Biblical description of the mediaeval "wheels," or planetary orbits
1.6. Parallels with the astronomical symbolism of the Apocalypse
1.7. Biblical cherubim, chariots, and mediaeval planetary orbital wheels
1.8. The Biblical description of mediaeval cosmology as a celestial temple
2. The Biblical prophecy of Zechariah and the date of its creation
3. The Biblical prophecy of Jeremiah and the date of its creation
4. The Biblical prophecy of Isaiah and the date of its creation
5. The Biblical prophecy of Daniel and the date of its creation
Chapter 5 The methods of dating the ancient events offered by mathematical statistics
1. The local maxima method
1.1. The historical text volume function
1.2. The maxima correlation principle
1.3. Statistical model
1.4. Experimental test of the maxima correlation principle.
Examples of dependent and independent historical texts
1.5. Method of dating the historical events
2. Volume functions of historical texts and the amplitude correlation principle.
By A. T. Fomenko and S. T. Rachev
2.1. Dependent and independent chronicles. Volume function maxima correlletions
2.2. Rich and poor chronicles and chronicle zones
2.3. Significant and insignificant zeroes of volume functions
2.4. The information respect principles
2.5. The amplitude correlation principle of volume graphs in the poor zones of chronicles
2.6. Description of statistical model and formalization
2.7. The hypothesis about the increase of the "form" parameter of a chronicle in the course of times
2.8. The list and characteristics of the Russian chronicles we investigated
2.9. The final table of the numeric experiment
2.10. Interesting consequences of the numeric experiment.
The confirmation of the statistical model
2.11. Comparison of a priori dependent Russian chronicles
2.12. Comparison of a priori independent Russian chronicles
2.13. Growth of form parameter in the course of time
for the Russian chronicles after the XIII century
2.14. Growth of the average form parameter over the course of time
for groups
of Russian chronicles of the XIII-XVI century
2.15. Growth of the average parameter of form over the course of time
for the groups
of Russian chronicles of the alleged IX-XIII century
2.16. Chronological shift by 300 or 400 years in Russian history
2.17. Conclusions
3. The maxima correlation principle on the material of the sources pertinent
to
the epoch of Strife in the History of Russia (1584-1619)
By A. T. Fomenko, N. S. Kellin and L. E. Morozova
4. The method for the recognition and dating of the dynasties of rulers.
The small dynastic distortions principle
4.1. The formulation of the small dynastic distortions principle
4.2. The statistical model
4.3. Refinement of the model and the computation experimens
4.4. Result of the experiment: coefficient c(a, b) positively distinguishes
between the dependent and independent dynasties of kings
4.5. The method of dating the royal dynasties and the method
detecting the phantom dynastic duplicates
5. The frequency damping principle.The method of ordering of historical texts in time
6. Application of the method to some concrete historical texts
7. Method of dating of the events
8. The frequencies duplication principle. The duplicate detection method
9. Statistical analysis of the Bible
9.1. Partition of the Bible into 218 "generation chapters"
9.2. Detection of the previously known duplicates in the Bible
with the aid of the frequency dumping principle
9.3. New, previously unknown duplicates we discovered in the Bible.
General scheme of their distribution within the Bible
9.4. A representative example: the new statistical dating of the Apocalypse,
which moves from the New Testament into the Old Testament
10. The method of form-codes. The comparison of two long currents of regal biographies
11. Correct chronological ordering method and dating of ancient geographical maps
Chapter 6 The construction of a global chronological map and the results of applying
mathematical procedures of dating to the Scaligerian version of the ancient history
1. Textbook of ancient and mediaeval history in the consensual Scaliger-Petavius datings
2. Mysterious duplicate chronicles inside the "Scaliger-Petavius textbook"
3. Mysterious duplicate regal dynasties inside the "textbook by Scaliger-Petavius"
4. Brief tables of some astonishing dynastic parallelisms
5. Conformity of results obtained by different methods
5.1. General assertion
5.2. The agreement of the different methods on the example of the identification
of the Biblical Judaic reign with the Holy Roman Empire of allegedly X-XIII century a.d.
6. The general layout of duplicates in "the textbook by Scaliger-Petavius".
The discovery of the three basic chronological shifts
7. The Scaligerian textbook of the ancient history glued together
four duplicates of the short original chronicle
8. The list of phantom "ancient" events which are phantom duplicates,
or reflections of the mediaeval originals
9. Identification of the "ancient" Biblical history with the mediaeval European history
10. Our hypothesis: history as described in surviving chronicles only begins in ca. the X century a.d.
We know nothing of the events that took place before the X century a.d.
11. Authentic history only begins in XVII century a.d.
The history of the XI-XVI century is largely distorted.
Many dates of the XI-XVI century require correction
12. The radical distinction of our chronological concept from the version of N. A. Morozov
13. The hypothesis about the cause of the fallacious chronological
shifts
in the creation of the history of antiquity
13.1. Chronological shift of a thousand years as the consequence of the fallacious dating of Jesus Christ's life
13.2. The letter "X" formerly denoted the name of Christ,
but was later proclaimed to stand for the figure of ten.
The letter "I" formerly denoted the name of Jesus, but
was later proclaimed to be the indication of one thousand
13.3. Until the XVIII century, the Latin letters "I" or "J" - i.e. the
first letters of the name of Jesus -
were still used in several
European regions to denote "one" in recording of dates
13.4. How the chronological shift by 330 or 360 years could have occured
13.5. What latin letters "M", "D", "C" in Roman dates meant originally, in the Middle Ages
13.5.1. General idea
13.5.2. Example: the date on the tomb of Empress Gisela
13.5.3. Another example: the date on the headstone of Emperor Rudolf Habsburg
13.5.4. Recording of mediaeval dates was not unified everywhere even in the XVIII century
13.5.5. Some datings of printed books and manuscripts dating
from the XV-XVII century
will apparently have to be moved
forwards in time by at least fifty more years
13.6. The foundation date of Rome of Italy
13.7. A later confusion of foundation dates of the two Romes,
on the Bosporus and in Italy.
13.8. Scaliger and the Council of Trent. Creation of the Scaligerian
chronology
of antiquity in the XVI-XVII century
13.9. Two phantom "ancient" reflections of Dionysius Petavius,
a mediaeval chronologist of the XVII century
14. A stratified structure of the Scaligerian textbook of ancient history
15. The coordination of a new astronomical dating with a dynastic parallel
16. A strange lapse in the Scaligerian chronology near "the beginning of the new era"
Chapter 7 "Dark Ages" in mediaeval history
1. The mysterious Renaissance of the "Classical Age" in mediaeval Rome
1.1. The lugubrious "Dark Ages" in Europe that presumably succeeded
the beauteous "Classical Age"
1.2. Parallels between "antiquity" and the Middle Ages that are known
to historians, but misinterpreted by them
1.3. Mediaeval Roman legislators convene in the presumably destroyed "ancient" Capitol
1.4. The real date when the famous "ancient" statue of Marcus Aurelius
was manufactured
1.5. Could the "ancient" Emperor Vitellius have posed for the mediaeval
artist Tintoretto?
1.6. The amount of time required for the manufacture of one sheet of parchment
1.7. The "ancient" Roman Emperor Augustus had been Christian, since
he wore a mediaeval crown with a Christian cross
2. The "ancient" historian Tacitus and the well-known Renaissance writer Poggio Bracciolini
3. The mediaeval Western European Christian cult and the "ancient" pagan
Bacchic celebrations
4. Petrarch (= Plutarch?) and the "Renaissance of antiquity"
4.1. How Petrarch created the legend of the glory of Italian Rome out of nothing
4.2. Petrarch's private correspondence with people considered
"ancient characters" nowadays
5. "Ancient" Greece and mediaeval Greece of the XIII-XVI century
5.1. The history of the mediaeval Athens is supposed to be obscured by darkness
up until the XVI century
5.2. Greece and the Crusades
5.3. The history of Greek and Athenian archaeology is relatively short
5.4. The tendentious distortion of the image of mediaeval Athens in
the "restoration works"
of the XIX-XX century
6. Strange parallels in the Scaligerian history of religions
6.1. Mediaeval Christianity and its reflection in the Scaligerian "pagan antiquity"
6.2. Mediaeval Christianity and "ancient" Mithraism
6.3. References to Jesus Christ contained in "ancient" Egyptian artefacts
6.4. Researchers of the ancient religions commenting on the strange similarities
between the cults of "antiquity" and those of the Middle Ages
6.5. Moses, Aaron and their sister Virgin Mary on the pages of the Koran
6.6. The XI century as the apparent epoch of St. Mark's lifetime.
The history of St. Mark's Cathedral in Venice
7. The "ancient" Egypt and the Middle Ages
7.1. The odd graph of demotic text datings
7.2. The enigmatic "revival periods" in the history of "ancient" Egypt
7.3. The ancient Hittites and the mediaeval Goths
8. Problems inherent in the Scaligerian chronology of India
9. Was the artificial elongation of ancient history deliberate?
Annexes
2.1. (to chapter 2) Grammatical analysis of an eclipse description
in History by Thucydides. By Y. V. 471
5.1. (to chapter 5) Per annum volume distribution in some Russian chronicles
5.2. (to chapter 5) Frequency matrix of names and parallels in the Bible
By V. P. Fomenko and T. G. Fomenko
6.1. (to chapter 6) Per annum volume distribution in The History of the City
of Rome
in the Middle Ages by F. Gregorovius
6.2. (to chapter 6) Per annum volume distribution in The Roman History
from
the Foundation of the City by Titus Livy
6.3. (to chapter 6) Per annum volume distribution in the book by Baronius
describing mediaeval Rome
6.4. (to chapter 6) The "double entry" of the Biblical royal reigns of Israel and Judah
6.5. (to chapter 6) Armenian history. Emperors of the Holy Roman Empire
of the alleged X-XIII century a.d., a.k.a. the Kings of Judah, a.k.a. the
mediaeval Armenian Catholicoses
1. Three phantom reflections of the same mediaeval dynasty
2. The parallelism between the mediaeval Armenian history
and the phantom Roman Empire according to Scaliges
6.6. (to chapter 6) The identification of the "ancient" Kingdom of Judah
with the Holy Roman Empire of the alleged X-XIII century a.d.
The correlation between reign durations and biographical volumes
•
Religions
•
Roman gods
•
Prometheus
•
Apollo
•
Juno
•
Diana
•
Phaeton
•
Glaucus
•
Pygmalion
•
Venus
•
Cupid
•
Echo
•
Narcissus
•
Minerva
•
Golden Fleece I
•
Atlas
•
Sphinx
•
Pegasus
•
Medusa
•
Golden Fleece II
•
Centaurs
•
Hercules
•
Bacchus
•
Troyan war
•
The Iliad
Roman Divinities
Part IV
PHAËTON
The palace of the Sun stood reared aloft on columns, glittering with gold and precious stones, while polished ivory formed the ceilings, and silver the doors. The workmanship surpassed the material; 1 for upon the walls Vulcan had represented earth, sea, and skies, with their inhabitants. In the sea were the nymphs, some sporting in the waves, some riding on the backs of fishes, while others sat upon the rocks and dried their sea-green hair. Their faces were not all alike, nor yet unlike,-but such as sisters' ought to be. 1 The earth had its towns and forests and rivers and rustic divinities. Over all was carved the likeness of the glorious heaven; and one the silver doors the twelve signs of the zodiac, six on each side.
Clymene's son advanced up the steep ascent, and entered the halls of his disputed father. He approached the paternal presence, but stopped at a distance, for the light was more than he could bear. Phbus, arrayed in a purple vesture, sat on a throne, which glittered as with diamonds. On his right hand and his left stood the Day, the Month, and the Year, and, at regular intervals, the Hours. Spring stood with her head crowned with flowers, and Summer, with garment cast aside, and a garland formed of spears of ripened grain, and Autumn, with his feet stained with grape-juice, and icy Winter, with his hair stiffened with hoar frost. Surrounded by these attendants, the Sun, with the eye that sees everything, beheld the youth dazzled with the novelty and splendor of the scene, and inquired the purpose of his errand. The youth replied, "O light of the boundless world, Phbus, my father,-if you permit me to use that name,-give me some proof, I beseech you, by which I may be known as yours." He ceased; and his father, laying aside the beams that shone all around his head, bade him approach, and embracing him, said, "My son, you deserve not to be disowned, and I confirm what your mother has told you. To put an end to your doubts, ask what you will, the gift shall be yours. I call to witness that dreadful lake, which I never saw, but which we gods swear by in our most solemn engagements." Phaėton immediately asked to be permitted for one day to drive the chariot of the sun. The father repented of his promise; thrice and four times he shook his radiant head in warning. "I have spoken rashly," said he; "this only request I would fain deny. I beg you to withdraw it. It is not a safe boon, nor one, my Phaėton, suited to your youth and strength. Your lot is mortal, and you ask what is beyond a mortal's power. In your ignorance you aspire to do that which not even the gods themselves may do. None but myself may drive the flaming car of day. Not even Jupiter, whose terrible right arm hurls the thunderbolts. The first part of the way is steep, and such as the horses when fresh in the morning can hardly climb; the middle is high up in the heavens, whence I myself can scarcely, without alarm, look down and behold the earth and sea stretched beneath me. The last part of the road descends rapidly, and requires most careful driving. Tethys, who is waiting to receive me, often trembles for me lest I should fall headlong. Add to all this, the heaven is all the time turning round and carrying the stars with it. I have to be perpetually on my guard lest that movement, which sweeps everything else along, should hurry me also away. Suppose I should lend you the chariot, what would you do? Could you keep your course while the sphere was revolving under you? Perhaps you think that there are forests and cities, the abodes of gods, and palaces and temples on the way. On the contrary, the road is through the midst of frightful monsters. You pass by the horns of the Bull, in front of the Archer, and near the Lion's jaws, and where the Scorpion stretches its arms in one direction and the Crab in another. Nor will you find it easy to guide those horses, with their breasts full of fire that they breathe forth from their mouths and nostrils. I can scarcely govern them myself, when they are unruly and resist the reins. Beware, my son, lest I be the donor of a fatal gift; recall your request while yet you may. Do you ask me for a proof that you are sprung from my blood? I give you a proof in my fears for you. Look at my face-I would that you could look into my breast, you would there see all a father's anxiety. Finally," he continued, "look round the world and choose whatever you will of what earth or sea contains most precious-ask it and fear no refusal. This only I pray you not to urge. It is not honor, but destruction you seek. Why do you hang round my neck and still entreat me? You shall have it if you persist;-the oath is sworn and must be kept,-but I beg you to choose more wisely."
He ended; but the youth rejected all admonition and held to his demand. So, having resisted as long as he could, Phbus at last led the way to where stood the lofty chariot.
It was of gold, the gift of Vulcan; the axle was of gold, the pole and wheels of gold, the spokes of silver. Along the seat were rows of chrysolites and diamonds which reflected all around the brightness of the sun. While the daring youth gazed in admiration, the early Dawn threw open the purple doors of the east, and showed the pathway strewn with roses. The stars withdrew, marshalled by the Day-star, which last of all retired also. The father, when he saw the earth beginning to glow, and the Moon preparing to retire, ordered the Hours to harness up the horses. They obeyed, and led forth from the lofty stalls the steeds full fed with ambrosia, and attached the reins. Then the father bathed the face of his son with a powerful unguent, and made him capable of enduring the brightness of the flame. He set the rays on his head, and, with a foreboding sigh, said, "If, my son, you will in this at least heed my advice, spare the whip and hold tight the reins. They go fast enough of their own accord; the labor is to hold them in. You are not to take the straight road directly between the five circles, but turn off to the left. Keep within the limit of the middle zone, and avoid the northern and the southern alike. You will see the marks of the wheels, and they will serve to guide you. And, that the skies and the earth may each receive their due share of heat, go not too high, or you will burn the heavenly dwellings, nor too low, or you will set the earth on fire; the middle course is safest and best. 2 And now I leave you to your chance, which I hope will plan better for you than you have done for yourself. Night is passing out of the western gates and we can delay no longer. Take the reins; but if at last your heart fails you, and you will benefit by my advice, stay where you are in safety, and suffer me to light and warm the earth." The agile youth sprang into the chariot, stood erect, and grasped the reins with delight, pouring out thanks to his reluctant parent.
Meanwhile the horses fill the air with their snortings and fiery breath, and stamp the ground impatient. Now the bars are let down, and the boundless plain of the universe lies open before them. They dart forward and cleave the opposing clouds, and outrun the morning breezes which started from the same eastern goal. The steeds soon perceived that the load they drew was lighter than usual; and as a ship without ballast is tossed hither and thither on the sea, so the chariot, without its accustomed weight, was dashed about as if empty. They rush headlong and leave the travelled road. He is alarmed, and knows not how to guide them; nor, if he knew, has he the power. Then, for the first time, the Great and Little Bear were scorched with heat, and would fain, if it were possible, have plunged into the water; and the Serpent which lies coiled up round the north pole, torpid and harmless, grew warm, and with warmth felt its rage revive. Boötes, they say, fled away, though encumbered with his plough, and all unused to rapid motion.
When hapless Phaėton looked down upon the earth, now spreading in vast extent beneath him, he grew pale and his knees shook with terror. In spite of the glare all around him, the sight of his eyes grew dim. He wished he had never touched his father's horses, never learned his parentage, never prevailed in his request. He is borne along like a vessel that flies before a tempest, when the pilot can do no more and betakes himself to his prayers. What shall he do? Much of the heavenly road is left behind, but more remains before. He turns his eyes from one direction to the other; now to the goal whence he began his course, now to the realms of sunset which he is not destined to reach. He loses his self-command, and knows not what to do,-whether to draw tight the reins or throw them loose; he forgets the names of the horses. He sees with terror the monstrous forms scattered over the surface of heaven. Here the Scorpion extended his two great arms, with his tail and crooked claws stretching over two signs of the zodiac. When the boy beheld him, reeking with poison and menacing with his fangs, his courage failed, and the reins fell from his hands. The horses, when they felt them loose on their backs, dashed headlong, and unrestrained went off into unknown regions of the sky, in among the stars, hurling the chariot over pathless places, now up in high heaven, now down almost to the earth. The moon saw with astonishment her brother's chariot running beneath her own. The clouds begin to smoke, and the mountain tops take fire; the fields are parched with heat, the plants wither, the trees with their leafy branches burn, the harvest is ablaze! But these are small things. Great cities perished, with their walls and towers; whole nations with their people were consumed to ashes! The forest-clad mountains burned, Athos and Taurus and Tmolus and te; Ida, once celebrated for fountains, but now all dry; the Muses' mountain Helicon, and Hęmus; Ętna, with fires within and without, and Parnassus, with his two peaks, and Rhodope, forced at last to part with his snowy crown. Her cold climate was no protection to Scythia, Caucasus burned, and Ossa and Pindus, and, greater than both, Olympus; the Alps high in air, and the Apennines crowned with clouds.
Then Phaėton beheld the world on fire, and felt the heat intolerable. The air he breathed was like the air of a furnace and full of burning ashes, and the smoke was of a pitchy darkness. He dashed forward he knew not whither. Then, it is believed, the people of Ęthiopia became black by the blood being forced so suddenly to the surface, and the Libyan desert was dried up to the condition in which it remains to this day. The Nymphs of the fountains, with dishevelled hair, mourned their waters, nor were the rivers safe beneath their banks: Tanais smoked, and Caicus, Xanthus, and Meander; Babylonian Euphrates and Ganges, Tagus with golden sands, and Cayster where the swans resort. Nile fled away and hid his head in the desert, and there it still remains concealed. Where he used to discharge his waters through seven mouths into the sea, there seven dry channels alone remained. The earth cracked open, and through the chinks light broke into Tartarus, and frightened the king of shadows and his queen. The sea shrank up. Where before was water, it became a dry plain; and the mountains that lie beneath the waves lifted up their heads and became islands. The fishes sought the lowest depths, and the dolphins no longer ventured as usual to sport on the surface. Even Nereus, and his wife Doris, with the Nereids, their daughters, sought the deepest caves for refuge. Thrice Neptune essayed to raise his head above the surface, and thrice was driven back by the heat. Earth, surrounded as she was by waters, yet with head and shoulders bare, screening her face with her hand, looked up to heaven, and with a husky voice called on Jupiter:
"O ruler of the gods, if I have deserved this treatment, and it is your will that I perish with fire, why withhold your thunderbolts? Let me at least fall by your hand. Is this the reward of my fertility, of my obedient service? Is it for this that I have supplied herbage for cattle, and fruits for men, and frankincense for your altars? But if I am unworthy of regard, what has my brother Ocean done to deserve such a fate? If neither of us can excite your pity, think, I pray you, of your own heaven, and behold how both the poles are smoking which sustain your palace, which must fall if they be destroyed. Atlas faints, and scarce holds up his burden. If sea, earth, and heaven perish, we fall into ancient Chaos. Save what yet remains to us from the devouring flame. O, take thought for our deliverance in this awful moment!"
Thus spoke Earth, and overcome with heat and thirst, could say no more. Then Jupiter omnipotent, calling to witness all the gods, including him who had lent the chariot, and showing them that all was lost unless speedy remedy were applied, mounted the lofty tower from whence he diffuses clouds over the earth, and hurls the forked lightnings. But at that time not a cloud was to be found to interpose for a screen to earth, nor was a shower remaining unexhausted. He thundered, and brandishing a lightning bolt in his right hand launched it against the charioteer, and struck him at the same moment from his seat and from existence! Phaėton, with his hair on fire, fell headlong, like a shooting star which marks the heavens with its brightness as it falls, and Eridanus, the great river, received him and cooled his burning frame. The Italian Naiads reared a tomb for him, and inscribed these words upon the stone:
"Driver of Phbus' chariot, Phaėton,
Struck by Jove's thunder, rests beneath this stone.
He could not rule his father's car of fire,
Yet was it much so nobly to aspire."
His sisters, the Heliades, as they lamented his fate, were turned into poplar trees, on the banks of the river, and their tears, which continued to flow, became amber as they dropped into the stream.
Milman, in his poem of "Samor," makes the following allusion to Phaėton's story:
"As when the palsied universe aghast
Lay
mute and still,
When drove, so poets sing, the Sun-born youth
Devious through Heaven's affrighted signs his sire's
Ill-granted chariot. Him the Thunderer hurled
From th' empyrean headlong to the gulf
Of the half-parched Eridanus, where weep
Even now the sister trees their amber tears
O'er Phaėton untimely dead."
In the beautiful lines of Walter Savage Landor, descriptive of the Sea-shell, there is an allusion to the Sun's palace and chariot. The water-nymph says:
"
I have sinuous shells of pearly hue
Within, and things that lustre have imbibed
In the sun's palace porch, where when unyoked
His chariot wheel stands midway on the wave.
Shake one and it awakens; then apply
Its polished lip to your attentive ear,
And it remembers its august abodes,
And murmurs as the ocean murmurs there."
-Gebir, Book I.
MIDAS - BAUCIS AND PHILEMON
In consternation at the unprecedented affliction, he strove to divest himself of his power; he hated the gift he had lately coveted. But all in vain; starvation seemed to await him. He raised his arms, all shining with gold, in prayer to Bacchus, begging to be delivered from his glittering destruction. Bacchus, merciful deity, herd and consented. "Go," said he, "to River Pactolus, trace its fountain-head, there plunge yourself and body in, and wash away your fault and its punishment." He did so, and scarce had he touched the waters before the gold-creating power passed into them, and the river sands became changed into gold, as they remain to this day.
Thenceforth Midas, hating wealth and splendour, dwelt in the country, and became a worshipper of Pan, the god of the fields. On a certain occasion Pan had the temerity to compare his music with that of Apollo, and to challenge the god of the lyre to a trial of skill. The challenge was accepted, and Tmolus, the mountain god, was chosen umpire. The senior took his seat, and cleared away the trees from his ears to listen. At a given signal Pan blew on his pipes, and with his rustic melody gave great satisfaction to himself and his faithful follower Midas, who happened to be present. Then Tmolus turned his head toward the Sun-god, and all his trees turned with him. Apollo rose, his brow wreathed with Parnassian laurel, while his robe of Tyrian purple swept the ground. In his left hand he held the lyre, and with his right hand struck the strings. Ravished with the harmony, Tmolus at once awarded the victory to the god of the lyre, and all but Midas acquiesced in the judgment. He dissented, and questioned the justice of the award. Apollo would not suffer such a depraved pair of ears any longer to wear the human form, but caused them to increase in length, grow hairy, within and without, and movable on their roots; in short, to be on the perfect pattern of those of an ass.
Mortified enough was King Midas at this mishap: but he consoled himself with the thought that it was possible to hide his misfortune, which he attempted to do by means of an ample turban or head-dress. But his hair-dresser of course knew the secret. He was charged not to mention it, and threatened with dire punishment if he presumed to disobey. But he found it too much for his discretion to keep such a secret; so he went out into the meadow, dug a hole in the ground, and stooping down, whispered the story, and covered it up. Before long a thick bed of reeds sprang up in the meadow, and as soon as it had gained its growth, began whispering the story, and has continued to do so, from that day to this, every time a breeze passes over the place.
The story of King Midas has been told by others with some variations. Dryden, in the "Wife of Bath's Tale," makes Midas's queen the betrayer of the secret:
"This Midas knew, and durst communicate
To none but to his wife his ears of state."
Midas was king of Phrygia. He was the son of Gordius, a poor countryman, who was taken by the people and made king, in obedience to the command of the oracle, which had said that their future king should come in a wagon. While the people were deliberating, Gordius with his wife and son came driving his wagon into the public square.
Gordius, being made king, dedicated his wagon to the deity of the oracle, and tied it up in its place with a fast knot. This was the celebrated Gordian knot, which, in after times it was said, whoever should untie should become lord of all Asia. Many tried to untie it, but none succeeded, till Alexander the Great, in his career of conquest, came to Phrygia. He tried his skill with as ill success as others, till growing impatient he drew his sword and cut the knot. When he afterwards succeeded in subjecting all Asia to his sway, people began to think that he had complied with the terms of the oracle according to its true meaning.
BAUCIS AND PHILEMON
On the bench designed for the guests was laid a cushion stuffed with sea-weed; and a cloth, only produced on great occasions, but ancient and coarse enough, was spread over that. The old lady, with her apron on, with trembling hand set the table. One leg was shorter than the rest, but a piece of slate put under restored the level. When fixed, she rubbed the table down with some sweet-smelling herbs. Upon it she set some of chaste Minerva's olives, some cornel berries preserved in vinegar, and added radishes and cheese, with eggs lightly cooked in the ashes. All were served in earthen dishes, and an earthenware pitcher, with wooden cups, stood beside them. When all was ready, the stew, smoking hot, was set on the table. Some wine, not of the oldest, was added; and for dessert, apples and wild honey; and over and above all, friendly faces, and simple but hearty welcome.
Now while the repast proceeded, the old folks were astonished to see that the wine, as fast as it was poured out, renewed itself in the pitcher, of its own accord. Struck with terror, Baucis and Philemon recognized their heavenly guests, fell on their knees, and with clasped hands implored forgiveness for their poor entertainment. There was an old goose, which they kept as the guardian of their humble cottage; and they bethought them to make this a sacrifice in honour of their guests. But the goose, too nimble, with the aid of feet and wings, for the old folks, eluded their pursuit, and at last took shelter between the gods themselves. They forbade it to be slain; and spoke in these words: "We are gods. This inhospitable village shall pay the penalty of its impiety; you alone shall go free from the chastisement. Quit your house, and come with us to the top of yonder hill." They hastened to obey, and, staff in hand, laboured up the steep ascent. They had reached to within an arrow's flight of the top, when, turning their eyes below, they beheld all the country sunk in a lake, only their own house left standing. While they gazed with wonder at the sight, and lamented the fate of their neighbours, that old house of theirs was changed into a temple. Columns took the place of the corner posts, the thatch grew yellow and appeared a gilded roof, the floors became marble, the doors were enriched with carving and ornaments of old. Then spoke Jupiter in benignant accents: "Excellent old man, and woman worthy of such a husband, speak, tell us your wishes; what favour have you to ask of us?" Philemon took counsel with Baucis a few moments; then declared to the gods their united wish, "We ask to be priests and guardians of this your temple; and since here we have passed our lives in love and concord, we wish that one and the same hour may take us both from life, that I may not live to see her grave, nor be laid in my own by her." Their prayer was granted. They were the keepers of the temple as long as they lived. When grown very old, as they stood one day before the steps of the sacred edifice, and were telling the story of the place, Baucis saw Philemon begin to put forth leaves, and old Philemon saw Baucis changing in like manner. And now a leafy crown had grown over their heads, while exchanging parting words, as long as they could speak. "Farewell, dear spouse," they said, together, and at the same moment the bark closed over their mouths. The Tyanean shepherd still shows the two trees, standing side by side, made out of the two good old people.
The story of Baucis and Philemon has been imitated by Swift, in a burlesque style, the actors in the change being two wandering saints, and the house being changed into a church, of which Philemon is made the parson. The following may serve as a specimen:
"They scarce had spoke, when, fair and soft,
The root began to mount aloft;
Aloft rose every beam and rafter;
The heavy wall climbed slowly after.
The chimney widened and grew higher,
Became a steeple with a spire.
The kettle to the top was hoist,
And there stood fastened to a joist,
But with the upside down, to show,
Its inclination for below;
In vain, for a superior force,
Applied at bottom, stops its course;
Doomed ever in suspense to dwell,
'Tis now no kettle, but a bell.
A wooden jack, which had almost
Lost by disuse the art to roast,
A sudden alteration feels.
Increased by new intestine wheels;
And, what exalts the wonder more,
The number made the motion slower;
The flier, though 't had leaden feet,
Turned round so quick you scarce could see 't;
But slackened by some secret power,
Now hardly moves an inch an hour.
The jack and chimney, near allied,
Had never left each other's side:
The chimney to a steeple grown,
The jack would not be left alone;
But up against the steeple reared,
Became a clock, and still adhered;
And still its love to household cares
By a shrill voice at noon declares,
Warning the cook-maid not to burn
That roast meat which it cannot turn.
The groaning chair began to crawl,
Like a huge snail, along the wall;
There stuck aloft in public view,
And with small change, a pulpit grew.
A bedstead of the antique mode,
Compact of timber many a load,
Such as our ancestors did use,
Was metamorphosed into pews,
Which still their ancient nature keep
By lodging folks disposed to sleep."
